This is the part of an MRI everybody has personally experienced and nobody
explains. The scanner does not hum or whir — it hammers, at a pitch that changes when the
sequence changes, loudly enough that you are given ear protection before they will run it. All of
that is a direct consequence of parts one to three: the sound is the pulse sequence,
made audible by the same field that makes the images possible.
1 · A hundred kilograms per metre of wire
Part two needs gradients: coils that make the field vary across the bore, switched on and off
thousands of times a second. Those coils sit inside B₀, carrying hundreds of amps. A wire
carrying current I across a field B feels a force
per unit length of exactly
F / L = B · I
which is not a small number in a magnet this strong. Every metre of gradient winding is being
shoved sideways, and then shoved back, at kilohertz rates. The former flexes; the flexing pushes
air; that is the noise. There is no acoustic design problem here that is separable from the
imaging — the force is the same B₀ that gives you the signal, times the same gradient current that
gives you the resolution.
the force on one metre of winding
force per metre—
…as a weight—
reversing at—
…
2 · You hear the corners
The force follows the current, so the coil's displacement follows the gradient
waveform. But what radiates sound is not displacement — it is the acceleration of
the radiating surface. Differentiate a trapezoid twice and the ramps vanish: what is left is a pair
of impulses at each corner, where the slew rate changes. That is why an EPI train clatters rather
than hums, and why a faster gradient is a louder one — halve the ramp time to double the
slew rate, and you double the size of every kick.
gradient current, and what the coil radiates
top: G(t), the readout train · bottom: d²G/dt², the acoustic drive
slew rate—
k-space per lobe—
current period—
…
Push the ramp slider fast enough and the readout above will tell you that you have left the
range any real scanner can operate in — and the limit is not the amplifier. A changing magnetic
field induces an electric field in the patient, and past a threshold that field
stimulates peripheral nerves: a tingling or tapping sensation, well before
anything is dangerous, but firmly a limit. Clinical systems run around 200 T/m/s for that reason,
not because faster switching is unbuildable. The quietest sequence and the fastest sequence are
pulling on the same rope, and a third rope is tied to the patient's nerves.
3 · The sound is a comb locked to the sequence
Because the drive repeats exactly every two lobes, the spectrum is not noise — it is a
harmonic comb, every line sitting on a multiple of 1/(2·esp).
The engine's test asserts that better than 90% of the acoustic energy lands on those lines. Halve
the echo spacing and the whole comb goes up an octave. When a radiographer changes the sequence and
the scanner starts making a different noise, you are hearing the timing change.
The loudest line is usually not the fundamental: the second derivative weights every harmonic by
ω², pushing the peak up the comb until the ramps' own roll-off takes over.
listen to it · headphones down first, this is a scanner
acoustic spectrum · comb lines marked at multiples of 1/(2·esp)
synthesised from the waveform above — nothing here is a recording
comb spacing—
loudest line—
that is harmonic—
…
What is physics here and what is a model. The waveform, the Lorentz force, the
second-derivative relationship and the resulting comb are computed exactly and checked by tests.
The step from force to sound is a single damped resonator standing in for the coil
former's mechanical response — a real former has many modes and a measured transfer function.
The timing structure is the physics; the timbre is a model. This will not sound like your
scanner, and moving the resonance slider is changing an assumption, not a measurement.
4 · How loud is loud
Decibels compress so aggressively that the numbers stop meaning anything. EPI reaches
110–120 dB against an occupational exposure limit of
85 dB, and that gap is not "a bit louder":
sound pressure level, and what the ratios actually are
source
SPL
pressure
× energy vs 85 dB
A scanner running EPI at 120 dB is delivering — times the
acoustic energy of the 85 dB limit. This is why ear protection is not a courtesy, and why the
quietest useful thing a sequence designer can do is lengthen a ramp — at the cost of the speed
that made the sequence worth running.
Where this stops. The acoustic output of a real gradient set is dominated by the mechanical
resonances of the former and the bore liner, which are measured rather than derived, and by
radiation efficiency that depends on geometry — none of which is modelled here. Serious quieting
work happens in three places this page does not go: gradient coil design that balances the
Lorentz forces so they cancel, damping and vacuum-mounting the former, and sequence design that
avoids exciting resonances. Motovilova and Winkler's review is the way in to all three — and the fourth option, not switching
the gradient at all, is Weiger's zero-echo-time imaging below.
The Lorentz force, the slew rate, the lobe area and its k-space extent, the harmonic
comb and the decibel ratios are each checked against a closed form or an analytic Fourier series:
the spectrum path is validated against a square wave's odd harmonics, and the comb test asserts
that >90% of the acoustic energy sits on multiples of the sequence clock.
cd sci/engine-rs && cargo test --release — 45 known-answer tests.
engine: rust → wasm · no dependencies · 45 tests · one · two · three · sci